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Arts in Southeast Asia Database
SculpturePhra Buddha Sihing
This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan and shows subduing mara posture. It has a round face, big knot hairs, ushnisha with lotus shape on top, look straight eyes, slightly open mouth, fat body, oblique robe and short split ends centipede fang shaped sanghati above chest.
SculptureThe Subduing Mara Buddha image with inscription
This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan which is cast stick with the Buddha image, and shows subduing mara posture. It has a round face, big knotted hair, high ushnisha with lotus shape on top, look-straight eyes, slightly open mouth, knotted jaw, fat body, oblique robe, short split ends centipede fang shaped sanghati above chest, The bottom base has four rows of inscriptions, numbers and horoscopes in Pali and Thai languages with the Lanna alphabets.
SculptureThe Foot Stamping gesture Buddha image
This walking gesture Buddha image has a small face, big knotted hair, very high ushnisha with lotus shape on top, look-down eyes, slightly open mouth, slim body, sanghati reaching belly, both hands let down the side of the body and right foot stamp on a base. There are three footprints.
SculptureThe Main Buddha Image
This Buddha image is in the standing gesture displaying the Abhaya Mudra. It has round face, big knotted hair, flaming halo, look-down eyes, slightly open mouth, knotted jaw, chubby body, oblique robe, and the sanghati reaching belly and waistcloth.
PaintingPhra Bot of Wat Dok Ngeun
This Phra Bot tells the story of Lord Buddha descending from the Dao Deung (Tavatimsa) Heaven to Sangkasa city. There were many colors used; green, blue, red, white, yellow and black. It was gilded only at the Lord Buddha. It was divided into four parts, the top part is the Dao Deung Heaven showing pictures of Devas (angels) paying respect with Parichart Trees, Chulamanee chedi and two vimans. The second floor is the picture of a large Buddha, descending from the crystal stairways with both the sun and the moon flanking. The third floor displays the surrounding atmosphere in Sangkasa. At the bottom one is a picture of water, the Nagas and Human beings with the background of Montharop flowers with inscriptions in various positions
SculpturePhra Chao Kaeng Kom
This Buddha image sit in a half-lotus seat and shows subduing mara posture. It has a square face, eyes looked straight, thick lips, stacked lips, hairline, small knot hairs, high flame halo, streaky ends large sanghati reaching belly, right hand placed at the center of the shin, unequal length fingers, thumb that separate from other fingers and prominent shin.
SculpturePhra Chao Kao Tue
This Buddha image sits on a half-lotus seat on a neat base displaying the Subduing Mara posture. It has an oval face, small knotted hairs, high ushnisha, high flaming halo, narrowed eyes looking downward, mouth slightly parted, knot jaw, symmetrical body, oblique robe, and large split ends centipede fang shaped sanghati reaching belly.
SculpturePhra Chao Lantong
This Buddha image is seated in the full-lotus seat on a supine lotus base with large petals and lotus stamens. It displays the Subduing Mara posture. It has a small oval face, small knotted hairs, flaming halo, narrow forehead, little mouth and the groove on the sides with a delicate body and large split ends centipede fang shaped sangha. It was enshrined within Ku Prasart.
