Artwork Search
Arts in Southeast Asia Database
SculptureDharmachakra
The Dharmacakra consists of 3 significant parts, that is, a hub in the middle, spokes the spaces between which were cut through and make it look thin, and the outer part of the Wheel which is a felloe was carved with round flower and lozenge patterns. The rim of the felloe was engraved with a decorative flame motif. The triangular lower part of the Wheel serves to bear its load and connects to a square base. Many parts of the Wheel bear Pali inscriptions using Pallava script which describe the Buddhist Doctrine, namely excerpts from Dhammacakkapavattana Sutta.
SculptureDharmachakra
The Dharmacakra includes 3 main parts, namely a hub above which there is a through hole; spokes the spaces between which weren’t cut through and make the wheel look thick; and a felloe ornamented with a Kankhot or alternating lozenge motif. The lower part of the Wheel depicts an individual sitting cross-legged with a lotus in each hand which may represent Surya.
SculptureDharmachakra
This emsemble of Dharmacakra is complete, as it includes 3 parts, namely an octagonal pillar, a square socle, and a Wheel of Law. The square socle helps hold the wheel firmly on the pillar.The round wheel of law consists of 3 main components as follows: a hub, spokes, and a felloe. The spaces between spokes were cut through, and they make the Wheel look thin. The outer part of the Wheel is the felloe carved with a pattern of round flowers and rhombi. The rim of the felloe was carved with a Thai motif called Kanok which resembles flames. The triangular bottom part of the wheel serves to bear its load, and the socle below decorated with a pattern of lotus petals comes with a tenon joint which fits a mortise hole underneath the wheel. In the lower part, the square connecting block is ornamented with a pattern of round flowers and rhombi; and the four corners of the socle depict a Makara motif. The block was cut through as a mortise hole which serves to fix the wheel to the Dharmacakrastambha or the pillar. The lowest part of the octagonal pillar is a square base carved with a Hamsa motif; and on top of it, the bottom of the pillar resembles lotus petals. The top of the pillar was engraved with a pattern of flower garlands and flower tassels. The upmost part of the pillar is a top tenon for insertion into a mortise beneath the square socle.
SculptureThe attitude of subduing Mara
The image is seated in a basic cross-legged gesture on the plain base while the hands are doing the attitude of subduing Mara. The significant features that classify the image under the General Group are the oval face, the curved eyebrows, the low gazing eyes, the aquiline nose, the well-proportioned lips, the big hair curls like a whorl, high swelling Usanisa, the flame-liked halo, wearing cross-body robe with no crease, and the long small outer robe reaching the navel which the edge is folded known as the centipede fangs. There is the name of its creator and the desire in building it.
SculpturePhra Si Sakaya Dasabalayan Prathan Phutthamonthon Sudassana
It is a walking Buddha image on lotus base. The left hand is performing Vitarka Mudra. The face is oval-shaped rather round, like a real person. The hair is coiled into small spirals. There is the ushnisha under the flame halo. The ears are long. The image is wearing the robe across a shoulder with outer robe on the shoulder and the robe is wavy folded naturally. The edge of the robe is realistically attached to the rear throne.
SculpturePhra Puttha Manusanak
It is the standing Buddha image on lotus lion-footed base. King Prajadhipok initiative of building the Buddha is also inscribed on the base. Both arms are elevated. The palms are facing outward and the fingers are extended upwards or it is called the attitude of stopping the rainstorm. The fingertips are not even in length. The robe is worn covering both shoulders. The robe is wavy folded naturally worn over Sabong which also can be detected from the streak underneath. The wavy folded style of robes represents the realistic concept, however other features of the Buddha are still the same such as the calm face, low-glancing eyes, long ears, small hair coils, and there is a low Ushnisha under a flame halo and decorated with five-tiered golden perforated Chatra
ArchitectureThe Junk Vessel with Adorned Pagodas
The junk is made of bricks and stucco and similar to a Teochew junk. The bow is facing south to Chao Phraya River. The stern is facing north. The room on the stern enshrines the Buddha image and the Buddha footprint. A large adorned pagoda is enshrined in the middle and another small adorned pagoda is enshrined at the bow. The design of the adorned pagodas is composed of a set of three lion-footed bases with Bua Klum (a group of lotus petal) under the in bell-shaped part. The spire part is composed of a group of lotus petal vine, the tapering finial, and the topmost orb. An adorned pagoda is a style which was evident since the late Ayutthaya and was very popular in King Rama III period.
ArchitecturePhra Phuttha Prang
All three Prangs are on the same Paitee base (the shared ground base which supports many types of building together). The lower part of these three Prangs is the set of pointed-center lotus base. Ruean Dhatu of the principal Prang is the cruciform Mondop style. There are the sculptures of Giants standing and holding bats at the indented corners of Prang. The wall on the indented corners area is decorated with Kab Brahmasorn (a style of decoration on posts). The roof is a cruciform three-tiered tile roof. The roof is decorated with Chofa, in form of Nok Chao style (one head Naga), Bai Raka and Hang Hong in descending order. The spire has 6 tiers in stack decorated with tightly leaf-like petal sculptures. There also is a tier that is decorated with the angel sculptures putting the hands together on their chests, and the giant sculptures holding things over head motifs. Other two flank Prangs have the same forms. However, they are smaller. The roof has two tiers. The gables are plain triangles, no Nok Chao, Bai Raka, and Hang Hong.
