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Arts in Southeast Asia Database
PaintingDhamma Book Chest
The legs of Dhamma Book Chest is made of plain square wood. It is called “Kha mu” hence the Dhamma Book Chest is called “Dhamma Book Chest Kha mu”.The lid is in the Watering pattern drawing a cosmic landscape painting in Buddhist motto. The drawing is divided into two parts and there is a gray line in between the two parts. Below the gray line shows Himmapan Forest. On the left side of appears Anodard pool. It is a large circle pool which is the origin of four rivers. Each river comes out of the mouth of an animal; elephant, horse, cow, lion. On the right side appears other pools in Himmapan Forest. The size of the pools are smaller and there are flowers and lotuses inside the pools. There are also trees, rocks, and animals around. On top of the gray line appears Mount Sumeru in the middle. On the top part is Tavatimsa heavens where the Indra stays. There is a castle in the middle and Erawan elephant at the bottom acting like it is carrying the castle. Chulamanee Stupa is on the right. On both side of Mount Sumeru is Sattaboriphan mountain or seven circles that surround Mount Sumeru. Each mountain has different high shown in the drawing as seven bars. This shows that the artist looked at half of Sattaboriphan when drawing. Above each mountain appears pictures of angels and there place. There are also two circles that represent the sun and the moon.
PaintingDhamma Book Chest
Dhamma Book Chest is decorated with Watering pattern. The top part of the chest is a covered with a picture of a tree with branches, leaves, and flowers. On the bottom part, there is a characteristic Thai design resembling tongues of flame, Garuda, birds, insects, squirrel, and other animals. Although the top and the bottom parts show different components, the details are still very harmonious and lively. This shows the freedom of the artist in using the imagination to creating the artwork without having any bad effect to the convention or nature’s rules.
SculptureThe attitude of subduing Mara
The Buddha image is in the attitude of subduing Mara siting simple cross-legged on the plain base. It has the oval-shaped face. The hair curls are not small, yet not big. The aureole is flame-liked and quite short. It has arched eyebrows. The eyes are partially open gazing low and the outer corners of the eyes are uplifted. It has a hook nose with curvy lips like a wave. The body is well-proportioned. The outer robe is long reaching the navel and its edge is folded like the centipede fangs. The fingers are not equal in length and the index finger is a little bit lifted. The image has Thai alphabet during Rattanakosin period specifying “Sankhalok”, written in Rama I period which means this Buddha image was respectfully engaged from Sawankhalok or Si Satchanalai during the respectful invitation event from Sukhothai.
SculptureThe attitude of subduing Mara
The image is seated in a basic cross-legged gesture on the plain base while the hands are doing the attitude of subduing Mara. The significant features that classify the image under the General Group are the oval face, the curved eyebrows, the low gazing eyes, the aquiline nose, the well-proportioned lips, the big hair curls like a whorl, high swelling Usanisa, the flame-liked halo, wearing cross-body robe with no crease, and the long small outer robe reaching the navel which the edge is folded known as the centipede fangs. There is the name of its creator and the desire in building it.
SculptureSangkhalok
There are a lot of architectural decoration parts, the important ones are Makara, decorated the finial of a gable and it would develop to be Hang Hong (finials on the outer corners of the lower roof sections), the ridge that would become Cho Fa (gable finials), Barali (finials evenly spaced on the roof-ridge) for roof ridge decoration, purlins , banisters, and floor tiles.
SculptureThe attitude of subduing Mara
The Buddha image is seated simple cross-legged on the plain base. The hands are in the attitude of subduing Mara. The distinctive features that point out the relations with Lan Na Buddha images and to be classified under the Wat Takuan Group are the round face and the protruding chin. Other parts that indicate the connection with Sukhothai Buddha image in General Group are the flame-liked aureole, it looks more motionless than the Sukhothai aureole, wearing cross-body robe with no crease. The outer robe is long across the left shoulder reaching the nave and there is a streak on the edge of the outer robe known as the centipede fangs. The image is sitting in mediation posture on the plain base.
SculptureThe footprint of the Buddha
The footprint is engraved on a rectangular stone. Some parts of the stone are damaged. There are actually four overlapped footprints detected by the lines on the sides and heel. The footprint that was used for pattern studying is the smallest one as other three have only the lines on the sides and heel. The toe fingers on the smallest footprint are not equal in length. Each finger has a whorl motif decorated. In the middle of the sole, there is Chakra symbol which are decorated with the 108 propitious motifs. Two points on the area connected to the toe fingers are decorated with whorl motifs , while the heel is decorated with lotus petal motif.
SculptureThe attitude of subduing Mara
The stucco Buddha image is sitting simple cross-legged on the lotus base. The hand is in the attitude of subduing Mara. The image has a round face, yet rather oval which could indicate the time during the change from the round face in early Sukhothai Buddha images to the oval face the Major Group. The eyebrows are arched. The eyes are gazing down. It also has a pointed nose, well-proportioned lips and small finer hair curls. The robe is worn across the body without drapery folds. The outer robe is worn on the left shoulder. It has a special feature that makes it different from other images in the Major Group which is that the whole outer robe is folded while other images in the Major Group will be folded only the edge.
