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Arts in Southeast Asia Database
SculptureThe Subduing Mara Buddha Image
This Buddha image sits in a half-lotus seat on a smooth base and shows Subduing Mara posture. It has a round face, big knotted hair, look-down eyes, slightly open mouth, knot jaw, fat body and short sanghati above the chest.
SculptureThe Subduing Mara Buddha Image
This Buddha image sits in a full-lotus seat on a smooth base displaying the Subduing Mara posture. It has a round face, big knot hairs, look down eyes, slightly open mouth, knot jaw, ushnisha with lotus shape on top, fat body and short split ends sanghati above the chest.
SculpturePhra Chao Ton Luang
This Buddha image sit in a half-lotus seat on a floor and shows subduing mara posture. It has a square and oval face shape, the look-down eyes, curly upper lip, the flick up mouth corner, delicate body, plump hands, unequal length fingers and large sanghati reaching belly.
SculpturePhra Buddha Sihing
This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan and shows subduing mara posture. It has a round face, big knot hairs, ushnisha with lotus shape on top, look straight eyes, slightly open mouth, fat body, oblique robe and short split ends centipede fang shaped sanghati above chest.
SculptureThe Subduing Mara Buddha image with inscription
This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan which is cast stick with the Buddha image, and shows subduing mara posture. It has a round face, big knotted hair, high ushnisha with lotus shape on top, look-straight eyes, slightly open mouth, knotted jaw, fat body, oblique robe, short split ends centipede fang shaped sanghati above chest, The bottom base has four rows of inscriptions, numbers and horoscopes in Pali and Thai languages with the Lanna alphabets.
SculptureThe Main Buddha Image
This Buddha image is in the standing gesture displaying the Abhaya Mudra. It has round face, big knotted hair, flaming halo, look-down eyes, slightly open mouth, knotted jaw, chubby body, oblique robe, and the sanghati reaching belly and waistcloth.
PaintingThe mural painting in Vihara Nam Tam
The style of painting in Nam Tam Vihara featured red, green, yellow, black and white, with the prominent people figures dressed in Burmese style, while the common villagers dressed in the folk Lanna and Burmese styles. The landscape paintings used the curve line to divide the picture. There are Lanna alphabet inscriptions on the story of Indra and Samavadee. There is a painting of Triphum story which is displayed as a pole in the middle of Indra's Prasat in heaven with the sun and the moon revolving around it.
SculpturePhra Chao Kaeng Kom
This Buddha image sit in a half-lotus seat and shows subduing mara posture. It has a square face, eyes looked straight, thick lips, stacked lips, hairline, small knot hairs, high flame halo, streaky ends large sanghati reaching belly, right hand placed at the center of the shin, unequal length fingers, thumb that separate from other fingers and prominent shin.
