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Arts in Southeast Asia Database
 
 
 
 
 
 
 
Showing 1-8 of 23 items, 3 pages.
The Subduing Mara Buddha Image
Chiang Mai
SculptureThe Subduing Mara Buddha Image

No history appears, but from the form, it can be determined the age in the reign of Phra Muang Kaew or the middle of the 21st Buddhist century.

The Subduing Mara Buddha Image
Lamphun
SculptureThe Subduing Mara Buddha Image

This Buddha image sits in a half-lotus seat on a smooth base and shows Subduing Mara posture. It has a round face, big knotted hair, look-down eyes, slightly open mouth, knot jaw, fat body and short sanghati above the chest.

The Subduing Mara Buddha Image
Bangkok
SculptureThe Subduing Mara Buddha Image

This Buddha image sits in a full-lotus seat on a supine lotus with a pollen pattern base in a Subduing Mara posture. It has a round face, big knotted hair, look-down eyes, slightly open mouth, knotted jaw, ushnisha with lotus shape on top, fat body and short split ends sanghati above the chest.

The Subduing Mara Buddha Image
Chiang Mai
SculptureThe Subduing Mara Buddha Image

This Buddha image sits in a full-lotus seat on a smooth base displaying the Subduing Mara posture. It has a round face, big knot hairs, look down eyes, slightly open mouth, knot jaw, ushnisha with lotus shape on top, fat body and short split ends sanghati above the chest.

The Subduing Mara Buddha image with inscription
Chiang Mai
SculptureThe Subduing Mara Buddha image with inscription

This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan which is cast stick with the Buddha image, and shows subduing mara posture. It has a round face, big knotted hair, high ushnisha with lotus shape on top, look-straight eyes, slightly open mouth, knotted jaw, fat body, oblique robe, short split ends centipede fang shaped sanghati above chest, The bottom base has four rows of inscriptions, numbers and horoscopes in Pali and Thai languages with the Lanna alphabets.

Phra Chao Kaeng Kom
Chiang Mai
SculpturePhra Chao Kaeng Kom

This Buddha image sit in a half-lotus seat and shows subduing mara posture. It has a square face, eyes looked straight, thick lips, stacked lips, hairline, small knot hairs, high flame halo, streaky ends large sanghati reaching belly, right hand placed at the center of the shin, unequal length fingers, thumb that separate from other fingers and prominent shin.

Phra Lao Thepnimit
Amnat Charoen
SculpturePhra Lao Thepnimit

This Buddha image is in seating posture and a subduing Mara attitude. It has small hair buds, large and tall flame-like halo, sharp face, clear face lines, straight-looking eyes, hook-shape nose, curvy ears and smiling mouth of Lanchang style and thick lips. The monastic cloth splits and extends to the abdomen. The fingers are of the same length.

Luang Por Sri Meaung
Nong Khai
SculptureLuang Por Sri Meaung

This Buddha image is in seating posture and a subduing Mara attitude. It has small hair buds, flame-like halo, round face, sharp shin, clear hair lines, big eyes, very large nose, smiling mouth of Lanchang style. The monastic cloth splits and extends to the abdomen. The fingers are large and of the same length. It is seated on a lotus base with Singha and inscription at the octagonal base underneath.