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Arts in Southeast Asia Database
 
 
 
 
 
 
 
Showing 17-24 of 28 items, 4 pages.
The Subduing Mara Buddha Image
Bangkok
SculptureThe Subduing Mara Buddha Image

This Buddha image sits in a full-lotus seat on a supine lotus with a pollen pattern base in a Subduing Mara posture. It has a round face, big knotted hair, look-down eyes, slightly open mouth, knotted jaw, ushnisha with lotus shape on top, fat body and short split ends sanghati above the chest.

The Subduing Mara Buddha Image
Chiang Mai
SculptureThe Subduing Mara Buddha Image

This Buddha image sits in a full-lotus seat on a smooth base displaying the Subduing Mara posture. It has a round face, big knot hairs, look down eyes, slightly open mouth, knot jaw, ushnisha with lotus shape on top, fat body and short split ends sanghati above the chest.

Phra Chao Ton Luang
Phayao
SculpturePhra Chao Ton Luang

This Buddha image sit in a half-lotus seat on a floor and shows subduing mara posture. It has a square and oval face shape, the look-down eyes, curly upper lip, the flick up mouth corner, delicate body, plump hands, unequal length fingers and large sanghati reaching belly.

Phra Buddha Sihing
Chiang Mai
SculpturePhra Buddha Sihing

This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan and shows subduing mara posture. It has a round face, big knot hairs, ushnisha with lotus shape on top, look straight eyes, slightly open mouth, fat body, oblique robe and short split ends centipede fang shaped sanghati above chest.

The Subduing Mara Buddha image with inscription
Chiang Mai
SculptureThe Subduing Mara Buddha image with inscription

This Buddha image sits in a full-lotus seat on a lotus base in the octagon plan which is cast stick with the Buddha image, and shows subduing mara posture. It has a round face, big knotted hair, high ushnisha with lotus shape on top, look-straight eyes, slightly open mouth, knotted jaw, fat body, oblique robe, short split ends centipede fang shaped sanghati above chest, The bottom base has four rows of inscriptions, numbers and horoscopes in Pali and Thai languages with the Lanna alphabets.

The Foot Stamping gesture Buddha image
Bangkok
SculptureThe Foot Stamping gesture Buddha image

This walking gesture Buddha image has a small face, big knotted hair, very high ushnisha with lotus shape on top, look-down eyes, slightly open mouth, slim body, sanghati reaching belly, both hands let down the side of the body and right foot stamp on a base. There are three footprints.

The Main Buddha Image
Chiang Mai
SculptureThe Main Buddha Image

This Buddha image is in the standing gesture displaying the Abhaya Mudra. It has round face, big knotted hair, flaming halo, look-down eyes, slightly open mouth, knotted jaw, chubby body, oblique robe, and the sanghati reaching belly and waistcloth.

The mural painting in Vihara Nam Tam
Lampang
PaintingThe mural painting in Vihara Nam Tam

The style of painting in Nam Tam Vihara featured red, green, yellow, black and white, with the prominent people figures dressed in Burmese style, while the common villagers dressed in the folk Lanna and Burmese styles. The landscape paintings used the curve line to divide the picture. There are Lanna alphabet inscriptions on the story of Indra and Samavadee. There is a painting of Triphum story which is displayed as a pole in the middle of Indra's Prasat in heaven with the sun and the moon revolving around it.