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Showing 425-429 of 429 items, 54 pages.
Mural decorating the arch in Payatonzu
Bagan
PaintingMural decorating the arch in Payatonzu

The arch of Pavatonzu is decorated with interesting paintings. The Clec is decorated with flora pattern instead of gods, which was the pattern of the late Pegan period. At the edge of the arch, there is a picture of Kinri (half-bird half-woman) putting her hands together to show respect. This pattern also served as the model for Sukhothai and Lanna arts in Thailand. It should be noted that Kinri also wears crown with triangular bands, which shows a clear influence from Pala art.

Stupa: Wat Peng
Vieng Chan
ArchitectureStupa: Wat Peng

Stua at Wat Peng is a stupa in an octagonal plan. The important feature is the angled lotus bell-shaped element, which is the unique feature of Lan Chang. The base is Bua Khao Prom in the form of lion legs. This shows the relationship with the lion base in the middle Ayuthaya and is very similar to the same part at Wat ong Tue, Tha Bor Subdistrict, Nong Khai.

Sim: Wat Sisaket
Vieng Chan
ArchitectureSim: Wat Sisaket

Sim at Wat Srisaket is a Vientiane sim that has high roofs on the sides. This is different from low roofs of Luang Phra Bang and Chiang Kwang. There are surrounding Palai, which is very similar to Ubosot in Rattanakosin art. The door and window are of Mondop shape, which is similar to ubosot at Wat Phra Sri Sasadaram in Bangkok. However, the multi-tiered roof is similar to Lan Chang. The colorless tiles, the gabel apex and the Prasat on the top of the roof are all unique characteristics of Lan Chang.

Scriptural Hall: Wat Sisaket
Vieng Chan
ArchitectureScriptural Hall: Wat Sisaket

Scripture hall at Wat Srisaket has a Mondop-type roof ( a multi-tiered roof with a small pediment). This is very similar to the scripture hall at Wat Pha Srisasadaram in Bangkok. However, the multi-tiered roof and the unglazed tiles are of Lan Chnag Style. Inside, there is a large golden Tripitaka cabinet.

That Dam
Muang Khoun
ArchitectureThat Dam

What is surpirsing about this is that That Phoon is the only attempt to replicate stupa of Mon style. In particular, a highly redented square base and the sloping base to support the bell-shaped element without a square form are all important characteristics of Mon stupa in Myanmar.