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Arts in Southeast Asia Database
SculptureBuddha
The Buddha Image is in damaged condition. The face is partially damaged. The right hand and the body from the knee down ls lost. The sculpture is in the standing posture. The hair is in the spiral style of Buddhist Art. The Usanisa (the top part of the head that look like a crown, the symbolic iconological part of Buddhist Art for Lord Buddha likeness) is curved out a little bit similar to Amaravati Art which could be the model of the sculpture. The Buddha wears yellow robe oblique style. The seam of the robe lie down through to the left arm similar to the Amaravati. However, the robe has no pleat which is different. The right hand is stranglehold and raises to the chest with the palm facing the body.
SculpturePhra Puttha Manusanak
It is the standing Buddha image on lotus lion-footed base. King Prajadhipok initiative of building the Buddha is also inscribed on the base. Both arms are elevated. The palms are facing outward and the fingers are extended upwards or it is called the attitude of stopping the rainstorm. The fingertips are not even in length. The robe is worn covering both shoulders. The robe is wavy folded naturally worn over Sabong which also can be detected from the streak underneath. The wavy folded style of robes represents the realistic concept, however other features of the Buddha are still the same such as the calm face, low-glancing eyes, long ears, small hair coils, and there is a low Ushnisha under a flame halo and decorated with five-tiered golden perforated Chatra
ArchitectureThe Junk Vessel with Adorned Pagodas
The junk is made of bricks and stucco and similar to a Teochew junk. The bow is facing south to Chao Phraya River. The stern is facing north. The room on the stern enshrines the Buddha image and the Buddha footprint. A large adorned pagoda is enshrined in the middle and another small adorned pagoda is enshrined at the bow. The design of the adorned pagodas is composed of a set of three lion-footed bases with Bua Klum (a group of lotus petal) under the in bell-shaped part. The spire part is composed of a group of lotus petal vine, the tapering finial, and the topmost orb. An adorned pagoda is a style which was evident since the late Ayutthaya and was very popular in King Rama III period.
ArchitecturePhra Phuttha Prang
All three Prangs are on the same Paitee base (the shared ground base which supports many types of building together). The lower part of these three Prangs is the set of pointed-center lotus base. Ruean Dhatu of the principal Prang is the cruciform Mondop style. There are the sculptures of Giants standing and holding bats at the indented corners of Prang. The wall on the indented corners area is decorated with Kab Brahmasorn (a style of decoration on posts). The roof is a cruciform three-tiered tile roof. The roof is decorated with Chofa, in form of Nok Chao style (one head Naga), Bai Raka and Hang Hong in descending order. The spire has 6 tiers in stack decorated with tightly leaf-like petal sculptures. There also is a tier that is decorated with the angel sculptures putting the hands together on their chests, and the giant sculptures holding things over head motifs. Other two flank Prangs have the same forms. However, they are smaller. The roof has two tiers. The gables are plain triangles, no Nok Chao, Bai Raka, and Hang Hong.
SculptureThe sculpture of Romance of the Three Kingdom
It is the stone sculpture in rectangular frame portraying parts of the story of the Romance of Three Kingdoms. The engraving shows the pictures of people wearing Chinese clothes. The scenery consists of trees, sky, vehicles, and animals which all these are the Chinese carving style.
SculpturePhra Si Ariya Mettrai
It is the Buddha image in royal attire. The robe is worn across the shoulder. The image is seated with the Siddhasana legs crossed which the right foot is placed above the left foot in the attitude of mediation. The face is quite round. The eyebrows are arched. The area between the eyelids line and the eyebrows is the sheets of eyelids. The eyes are quite small glancing low and not widely opened. The lips are small and also the hair coils. The body is slim. These are the Buddha image features in King Rama III period which could be compared to the Buddha image in royal attire during the same period of time in Wat Nang Nong.
SculptureThe four Buddhas
All four Buddha images have the same features which they are seated in the attitude of meditation on lotus lion-footed pedestal; the pattern of the upturned lotus is called Bua Wang (long sword-liked lotus petal motif); there are Pah Tip (the fabric hanging on the front of a Buddha image base) in front; the faces are quite round; the eyebrows are arched; the area between the eyelids line and the eyebrows is the sheets of eyelids; the eyes are quite deep set, slightly open and glancing low; the lips are small; the hair coils are also small; there is the flame halo overhead and the body is slim. These are the features of the Buddha image in King Rama III period.
SculpturePhra Phuttha Trai Rattana Nayok
Phra Phuttha Trai Rattana Nayok has specific styles of the Buddha image made in King Rama III period which the body is quite slim; the face is likely round-oval; the hair coils are small; the head has the flame halo; the eyebrows are arched; the area between the eyelids line and the eyebrows is the sheets of eyelids, similar to the Buddha image in the late Ayutthaya; the eyes are open and starring straight; the nose is quite small and prominent; the mouth is small and the lip line is a little bit curved nearly straight like Ruea Pratun (a boat with a roof cover); The face is like a figure; the image is seated in the attitude of subduing mara; the fingertips are slender and even in length; and the outer robe is big and placed upon the middle of the body.
