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Showing 17-24 of 27 items, 4 pages.
Buddha and Hermit in Caves : Mural in Abeyadana
Bagan
PaintingBuddha and Hermit in Caves : Mural in Abeyadana

Abeyadana Pagoda was built by King Kyanzittha's queen Abeyadana in 17th Buddhist Century. Inside appears painting, which is similar to Pala art and it’s likely to go to Mahayana Buddhism.

Bodhisattva : Mural in Alopye
Bagan
PaintingBodhisattva : Mural in Alopye

These bodhisattvas dressed very similarly to the Pala art like a crown with three faces, S shaped breast chain and streak panung. Including the appearance of two flowers fluttering both sides symmetrically, it indicates the influence of Pala art a lot. The painting itself is a hot tone color likes Pala. All this shows that the age of painting is in the early of Pagan era. The most important aspect for this Bodhisattva is sitting back and the normal Pala Iconography. This shows that the painting is written by a Pakan craftsman.

Bodhisattva :  Payatonzu
Bagan
PaintingBodhisattva : Payatonzu

Bodhisattva at Pavatonzu wears very similar costumes and ornaments with those in Pala art. These costumes and ornaments include three-banded crown and stripped cloth. However, this Bodhisattva puts the thumb and the index finger together and holds a double curve bunch. This is different from Bodhisattva in early Pegan period that still holds Cham flower similar to Pala art.

Head of Avalokitesvara
SculptureHead of Avalokitesvara

The head of this Bhodhisavara wears the crown like monk with a trianglular cornice according the Pala-Chava arts. The face is still very much Indian-Chava.in the the eyes look down at the floor, the mounth is thing and the image has no shoes. This shows a strong influece from Java that had been prevsilance.

Four-armed  Avalokitesvara
Ho Chi Minh
SculptureFour-armed Avalokitesvara

The head of this Bhodhisavara wears the crown like monk with a trianglular cornice according the Pala-Chava arts. He wears the long Roti cloth according to the southern India-central Chava art. This sculpture has thick mouth and protuding eyes, which are the local characteristics. In addition, yajñopavita robe is also missing. This makes it different from Chava art.

Prajnaparamita from Dong Duong
Danang
SculpturePrajnaparamita from Dong Duong

This sculpture shows a strong characteristic of the local Dong Deung art, having curly hair, cuevy eyebrows, protuding eyes, think lips, and large nose. Also, it wears two layers of cloth with a thin one inside and the other one on the outside, This kind of cloth wearing is popular in Dong Deung art.

Bronze Tara
Jakarta
SculptureBronze Tara

Small bronze sculpture in Central Java might have been personal belongings of monks. The style is very similar to Pala art in terms of costumes, iconography and the back of the throne. The back of the throne of this bronze sculpture is very simialr to that of Pala art especially the round back, the occasional decoration of flame and the umbrealla.

Manjusri
Jakarta
SculptureManjusri

One important aspect of eastern Java sculpture is the back started to feature “Bua leaf” which is a unique feature of this period. This sculpture in particular has less ornaments than other eastern Java sculptures making it more similar to those of Central java art. It may be possible that it was built during the transitional period.