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Arts in Southeast Asia Database
SculpturePhra Phaisachayaguru
The sculpture is sitting on a base in a meditation position, decorated with lotus petal pattern. It is wearing a crown with a visor and layers of tiaras and round shape earrings on the ears. The upper part of the body is bare and both hands are holding a pot of water in a stomach position.
SculpturePhra Phaisachayaguru
The sculpture is sitting on a base in a meditation position, decorated with lotus petal pattern. The face is in a square shape. The eyebrows are sharp and nearly straight and the eyes are widely open. The mouth is protruding. It is wearing a crown with a visor and layers of tiaras and round shape earrings on the ears. The upper part of the body is bare and both hands are holding bolts in front of the stomach.
ArchitecturePrasat Ta Muan Tot
Prasat Ta Muan Tot is a chapel “Arogayasala”. It was built to treat diseases during the reign of King Jayavarman VII during the 18th century B.E. The architectural elements of the Arogayasala are the same everywhere. There will be one principle prasat made of laterite and sandstone. It is a square diagram with recessed corners. The top part was carved with sandstone in the lotus petals pattern. There is only one entrance and exit, the other 3 sides are false doors. The entrance was made as a long room with a porch in the front. The roof was made of sandstone and laterite. There is a Banalai in a rectangular diagram built from sandstone and laterite on the east of the principle prasat. There is one entrance and exit. The eastern area is surrounded by an inner wall and under a laterite arch door that is divided into 3 booths. A stone inscription, built around the 18th century B.E., inscribed in Khmer letters, Sanskrit language was found around the booths and it is currently at Wachirayan Book Hall, Bangkok. The inscription mentioned Phra Phaisachayaguru, the Bodhisattva who granted people a healty life. It also stated that King Jayavarman VII donated materials and equipment and arranged staff to stay in the hospital as well. The north-eastern side of the prasat appears a pond.
ArchitecturePrasat Nong Bua Rai
It consists of the principle prasat with an entrance facing east. The entrance is with a porch with one window porthole on each side of the porch. The top of the prasat has 4 layers with a decorative square. On the northeastern side, there is a Banalai or a repositorie for scriptures facing the principle prasat. In front of the principle prasat is a cross-shaped walkway extended until the gopura. In front of the president's castle there is a cross path that leads all the way to Gopura. All of these are surrounded by an inner wall.Around the nearby area, a piece of a gable was found with an image of the 4-arms Avalokiteshvara Bodhisattva in a standing position. On the northeastern side, outside the inner wall is a pond in a rectangular diagram. This layout and construction patterns, such as the castle with porches and window porthole on both sides, can be found at other archaeological sites such as at Ku Santarat. Mahasarakham province or at Prasat Ta Muan Tot, Surin province, etc.
ArchitecturePrang Ku
Prang Ku is another archaeological site that has the same layout and characteristics as the Arogayasala archaeological site. The evidence that proves that it was built in the 18th century B.E. is the layout with one Principle prang in the middle, one Banalais or repositories for scriptures in the front surrounded by a wall with gopura only in the front. All were built with laterite except the door frame, lintels, and decorative pillars that are sandstone. They are facing east. There is one pond in the north- east of the prang that is still in a perfect condition. The principle prang is a 5 meter square with 12 wooden recess corners. There is a front door at the front with a porch while the other 3 sides are false doors. There is a Buddha image at the center of the prang sitting cross- legged in a meditating position. Both hands of the image are holding a garland. On both left and right sides of the images are the 4-arms Avalokiteshvara Bodhisattva and Prachya Paramita. The front has a lintel with possibly the same images but they are very faded. There is also a stone Buddha image sitting cross- legged in a meditating position at the false door on the north. The image is in Dvaravati Arts. It is 1.75 meters high and the lap is 7.5 meters wide. This image was transferred from another place.
ArchitectureKuti Ruesi Ban Khok Mueang
It is a rectangular diagram with an outmost laterite wall with an arch entrance or gopura in the east. Inside at the center is located the principle prasat made of laterite. Some parts have sandstone at the door frames. There is a porch at the east entrance. The other 3 entrances are false doors. On the southeastern side of the inner wall is a laterite Banalai as well. Some parts of the gopura and the Principal prasat are decorated with a gable or a lintel in Naga or Magara with Naga. It is assumed that this is the art style of the 16th – 17th century B.E. However, the decorations are not perfectly connected with the wall and the principle prasat, therefore it may be as to bring the old items attaching to the new buildings. Nevertheless, if these pieces are original then it may be assumed that there had been a religious place built around the 16th century B.E. Later, in the 18th century B.E., it was adapted to be a chapel of Arogayasala in Mahayana Buddhism.
