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Prasat Narai Cheng Weng
Sakon Nakhon
ArchitecturePrasat Narai Cheng Weng

Prasat Narai Cheng Weng is a single prasat and the whole prasat was built with sandstone which is a special feature because other prasats in the upper area of the Northeast often use other materials or mixed materials. Based on the details of the engravings and the use of materials, it can differentiate this prasat and other prasats in the same area such as Prasat Phra That Dum and other prasats inside Phra That Choeng Chum.The diagram of the prasat consists of a Garbhagriha room and a porch protruding to the east. There is only one door at the front. The other doors are false doors which usually could be seen in prasat in Baphuon Arts and Nakon Wat in northeastern Thailand. What is interesting about this prasat is that the Somasutras, a drainage channel still appears at the false gate on the north side. Most of the carvings depict stories in Vaishnavism such as Narai Bantomsin and Phra Krishna Prab Singh, etc. However, the central gable depicts Nataraja which shows that the prasat was built for Shaivism.

Prasat Ku Phanna
Sakon Nakhon
ArchitecturePrasat Ku Phanna

It consists of the principle prasat in a square shape located in a center of a laterite wall in a rectangular diagram. The top part of the prasat has already collapsed. There is only one entrance and one exit on the east side. The doors on the other sides are false doors. The entrance and exit door was made into a long room with the porch in the front. The southeastern area of the principle prasat only appears the base of Banalai or repositories for scriptures made of laterite in a rectangular diagram. At the center of the east laterite wall appears an arch door or gopura in a cross-shaped square. Outside the wall on the northeastern side, there is a rectangular pond made of laterite as well.

Tumpalai Phu Pha Yon
Sakon Nakhon
PaintingTumpalai Phu Pha Yon

The various engraved drawings can be classified as follows:1. Human figures. There are 21 engraved drawings of people, including both realistic and semi-realistic portraits. There are 9 realistic drawings, 2 of children and 7 of adults, that show the similarity between the real person and the drawing, for instance, the drawing of a person with an emphasis on only the outlines; the description of organs such as ears, eyes, mouth, nose, fingers, toes are not shown. The semi-realistic drawing is the drawing that characterizes the person in proportion but will be inaccurate from reality, for instance, the human head is in a square shape or the muscles of the limbs are not focused. However, other important parts such as ears, eyes, mouth, nose, fingers and toes aren’t completely shown. There are 12 drawings of this type. 2. Human hands. There is only one drawing of a right hand with the palm open. There are six fingers on the hand.3.Animals figures There are 21 drawings, 8 of fish, 4 of birds, 2 of dogs, 1 of a squirrel or a chipmunk, 1 of a buffalo, 4 of buffaloes or cows, 1 of a frog or a small green frog. 4. Geometrical motifs There are a lot of drawings with straight lines, curve lines or lines with different patterns, square, triangle, cross, arrowhead, rhombic triangle, single line, arranged lines, and crossed lines and sometimes the shape cannot be identified. 5.Appliance For example, a picture that resembles a plow, farming tools that show only the head area called “Moldboard plow” or “Phal” at the rear. There are also drawings of a shovel with a handle and a fan for blowing away the withered grain. 6.Building There are 2 drawings that look like a house. It is a house with a gable roof. One drawing is of a house with a dog inside and another drawing is of a house with a crossed roof similar to the roof of Kalae house or the roof of a hut in a farm in northeast of Thailand and it looks like there is a person inside the house.

Phra That Choengchum
Sakon Nakhon
ArchitecturePhra That Choengchum

Phra That Choengchum is a square-bell-shaped brick-and-stucco stupa in sqaure plan covered a laterite Khmer prasat. Its pyramidal platforms have a niche in each direction. The eastern one is only entrance to the chamber or the Garbhagriha of Khmer prasat, while other three are virtual doorways. Its anda is in square plan, above which lies a lotus pedestal with pointed wire, which can be considered as a ballang. The pyramidal lotus is on the top of the stupa.