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ArchitectureMain Tower of Po Kluang Karai
Mukhalinga and Nandi are enshrined inside the sanctum and the Mandapa respectively. The front tympanum depicts the dancing Shiva. These sculptures indicate that this temple belongs to Shaivite Hinduism.
ArchitectureMiniature Tower of Po Kluang Karai
The cornered miniature tower in the shape of lotus-bud is very popular during this period. This is the simplified form of the Chines-pagoda-liked cornered miniature tower, as exemplifiable at Canh Tien, in late Binh Dinh style. The lotus-bud-shaped cornered miniature tower indicates that the temple should be dated in the 13th century.
ArchitectureLibrary (?) of Po Kluang Karai
The so-called library at Po Kluang Karai is the rectangular building with the wagon roof, similar to Śālā tyle of Indian artecture. Started from My Son, this kind of building has been continued in the same form and also in the same cornered location.of the main tower. As the main temple is dated to the Later period, the library would be dated to the same period. The cornered miniature tower of the superstructure of the library is conceived in the form similar to Chinese pagoda, this form has been continued since Late Binh Dinh art.
ArchitecturePo Rome
This temple is the last tower in traditional Cham art. Several details of the Cham architectural articulation are now omitted, including the reduction of the number of pilasters. Formerly, it was five in number but Po Rome architects put merely two pilasters, specifically at the corners. However, the spear-liked pointed arch and the lotus-bud-like miniature corner towers are of the same characters as Po Kluang Karai
SculptureBuddha from Don Duong
This Buddha image shows the characteristics of the local Ding Deung mixed with influences from Chenese and Indian arts. First of all, the posture of sitting with the legs hanging down and both hands are on the laps shows the influence from Chinese art, but the robe is worn in a sliding way and the short edge of the robe at the left showder is a characteristic of Pala art in India. However, The head of this Buddha image shows clear local chatcteristics of Dong Deung such as thick lips, large nose, protuding eyes, and connected eyebrows.
SculptureAnantasayin Pediment from My Son E
These niches are very similar to “Kutu” or “Chandhasala” in Indian art. That is to say they are low arches decorated with dragons. However, a curving Naga pattern has been added into the Cham art, making the niches have both curving in and curving out pattern. In the middle, there is a picture of Vishanu Anatasayin. This shows that this prasat was built under the influence of Hinduism.
SculptureHead of Avalokitesvara
The head of this Bhodhisavara wears the crown like monk with a trianglular cornice according the Pala-Chava arts. The face is still very much Indian-Chava.in the the eyes look down at the floor, the mounth is thing and the image has no shoes. This shows a strong influece from Java that had been prevsilance.
SculptureVishnu on Garuda
This Vishanu on Garuda shows the influence of Chava art that blended with the local Hua Lai art. The hat is decorated with three triangular decoration similar to Pala-Chava art. However, the mounth is rather thick, the eyes are protuding and there is a mustache on top of the mounth (the local characteristic). Garuda has a tip and “kanok” wings, which is a local characteristic.
