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ArchitectureMy Son Group B
My Son Group B is the example of the temple complex in Cham art. The temples inside the complex are normally arranged without the symmetry. Inside the complex there are the main tower, the subsidiary towers, rectangular temple, the gateway, the enclosure and the outside Mandapa.
ArchitectureMy Son B5
This temple is supposed to be one of the temples dedicated to Bhadreshvara, the most sacred Linga of Champa kingdom.
ArchitectureMy Son C1
My Son C1 is the main tower of My Son Group C and is the only main temple in Cham art which is of rectangular plan. The roof is of wagon-liked elongate roof. (called as Shala roof in South Indian terminology) As this temple is in rectangular plan, the longer side is punctuated by 7 pilasters (only 6 are visible as it is obscured by the central niche). The double-arched niche indicates the continuation from Dong Dzuong style but it is not elongated as that of Dong Dzoung. Insidethe niche there is the guarding holding club, the character of My Son style.
ArchitectureMy Son C1
My Son C1 is the main tower of the complex C and this tower is the only rectangular main tower with the wagon roof. (called as Śālā roof in South Indian term) The front hall or Maṇḍapa is also designed in the wagon-roof rectangular tower. The front hall is decorated with 5 pilasters and the door is decorated with the double-vase-liked column, typical to My Son A1 period.
ArchitectureDetails of upper mouldings: My Son C1
My Son C1 is the tower datable to My Son A1 period as the flute in the middle of the pilaster is continued up to the capital. The capital is complicated with the convex and concave mouldings, more complicated than the earlier-period ones. However, because the capital is lack of ornament, the temple seems to be unfinished.
SculptureBuddha Image from Dong Duong
The characters of this Buddha image are of the normal Amaravati or Sri Lankan art. Low Ushanisha, the curly hairs, one-shoulder-covered robe with the left rim raising towards the left hand in the shape of triangle are some of the characters of Amaravati or Sri Lankan Buddha images. The right hand is in Vitarka Mudra while the left holds the tip of the garment in symmetrical manner, which also affiliate to Sith Indian or Sri Lankan art.
ArchitectureStone Base from My Son E
The stone base with the staircase in the front exhibits lots of Indian influences, including Yaksa or the lord of the earth supporting the steps. Disgorged from the mouth of lion, the handrail is decorated with the rosette-and-lozenge motifs indicating Indian influence. The moonstone and the horseshoed arches in Indian fashion are also noticeable.
SculptureStone Base from My Son E: Details
The entrance stair was influenced heavily from India such as the picture of a giant lifting the base, the handrail with the lions, decorated with flower pattern, and the bracket. The decoration of lions at the handrail and the flower pattern remind us of the same patterns at Achanta cave and Lanka art in Anuratthapura, which was in the same period or a little earlier. This shows the relationship between Cham kingdom and India and Lanka
