Artwork Search
Arts in Southeast Asia Database
ArchitecturePrasat Ta Muen
The diagram of Prasat Ta Muen is a characteristic of an archaeological site called "Dharamshala or a traveler's lodge" which King Jayavarman VII, around the 18th century, had ordered to build along the important routes throughout the kingdom. The place is a single prasat constructed with laterite and sandstone. The diagram is a square with recessed corners. The front of the prasat is a long room built of laterite. There is a door connected to the prasat on the west. This long room has one wall cut into a row of windows. Other walls were made of false windows. There is one entrance and exit on the east with a sandstone lintel carved into a Buddha image sitting cross-legged in a meditating position.
ArchitecturePrasat Nong Bua Rai
It consists of the principle prasat with an entrance facing east. The entrance is with a porch with one window porthole on each side of the porch. The top of the prasat has 4 layers with a decorative square. On the northeastern side, there is a Banalai or a repositorie for scriptures facing the principle prasat. In front of the principle prasat is a cross-shaped walkway extended until the gopura. In front of the president's castle there is a cross path that leads all the way to Gopura. All of these are surrounded by an inner wall.Around the nearby area, a piece of a gable was found with an image of the 4-arms Avalokiteshvara Bodhisattva in a standing position. On the northeastern side, outside the inner wall is a pond in a rectangular diagram. This layout and construction patterns, such as the castle with porches and window porthole on both sides, can be found at other archaeological sites such as at Ku Santarat. Mahasarakham province or at Prasat Ta Muan Tot, Surin province, etc.
ArchitecturePrang Ku
Prang Ku is another archaeological site that has the same layout and characteristics as the Arogayasala archaeological site. The evidence that proves that it was built in the 18th century B.E. is the layout with one Principle prang in the middle, one Banalais or repositories for scriptures in the front surrounded by a wall with gopura only in the front. All were built with laterite except the door frame, lintels, and decorative pillars that are sandstone. They are facing east. There is one pond in the north- east of the prang that is still in a perfect condition. The principle prang is a 5 meter square with 12 wooden recess corners. There is a front door at the front with a porch while the other 3 sides are false doors. There is a Buddha image at the center of the prang sitting cross- legged in a meditating position. Both hands of the image are holding a garland. On both left and right sides of the images are the 4-arms Avalokiteshvara Bodhisattva and Prachya Paramita. The front has a lintel with possibly the same images but they are very faded. There is also a stone Buddha image sitting cross- legged in a meditating position at the false door on the north. The image is in Dvaravati Arts. It is 1.75 meters high and the lap is 7.5 meters wide. This image was transferred from another place.
ArchitecturePrasat Ban Bu
A rectangular building stretching east-west with a front entrance which is facing east. The back is the building of the prasat which is divided into a square-shaped room.As for the construction or the entrance door frame, sandstone with four flower petals were originally used by turning the engraved sandstone on the inward. The reuse of materials of older arts is similar to Prang Hin Daeng at Prasat Hin Phimai. In addition, a large lotus peak joining arts with Bayon was found. This is similar to the gopura’s peak of Prasat Preah Khan in Cambodia. The connected southern walkway has three window portholes and one hole at the porch on the north. The upper part is dense and almost completely ruined. There is a curved roof over the walkway built between the prasat’s building and the porch.
ArchitectureSan Ta Pha Daeng
It is a Khmer-style prasat made of a large laterite that is commonly used in construction work in Khmer culture. The top of the prasat has already collapsed, only the room that used to place the idols and a porch at the entrance, facing east, that still remain. The lower part of the building starts from the floor supporting the lotus petal base. Above the base is a square-shaped Rueanthat with corners added. There is a porch extended to the east with a stairway in front of it. This is also a typical style of the Khmer castle and later, this style was chosen to develop the new chedi by the Sukhothai school which previously probably built in Hinduism or Mahayana Buddhism. It is believed that the upper part of the prasat which has completely collapsed is in a bar shape with layers like other typical Khmer castles.
ArchitectureKuti Ruesi Ban Khok Mueang
It is a rectangular diagram with an outmost laterite wall with an arch entrance or gopura in the east. Inside at the center is located the principle prasat made of laterite. Some parts have sandstone at the door frames. There is a porch at the east entrance. The other 3 entrances are false doors. On the southeastern side of the inner wall is a laterite Banalai as well. Some parts of the gopura and the Principal prasat are decorated with a gable or a lintel in Naga or Magara with Naga. It is assumed that this is the art style of the 16th – 17th century B.E. However, the decorations are not perfectly connected with the wall and the principle prasat, therefore it may be as to bring the old items attaching to the new buildings. Nevertheless, if these pieces are original then it may be assumed that there had been a religious place built around the 16th century B.E. Later, in the 18th century B.E., it was adapted to be a chapel of Arogayasala in Mahayana Buddhism.
ArchitecturePrang Sam Yot
Prang Sam Yot is a laterite ancient khmer temple. It was exclusively built with laterite except for the sandstone at the pediments and other minor parts. During the Ayutthaya period, brickworks were applied at the windows. Now stucco decoration has been mostly gone.The main sanctuary consists of three linked tower on the north-south axis and are oriented toward the east, All three towers share the same architectural style but the central tower being the tallest. The main sanctuary is in an indented plan with portico on four sides. Inside eace tower contains a base for the statue which is now removed. The superstructure comprises 5 tiers of scaled-down roofs topped with a lotus bud ornament, originally there should be a nine-tiered trident which is now lost. In front of the central tower stood the rectangular brick hall or vihara with an arch door. The vihara houses a seated buddha image.
