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Arts in Southeast Asia Database
ArchitectureTower-niche: Binh Lam
The Prāsāda-typed niche of Binh Lam is the most beautiful niches of Early Binh Dinh period. The niche is decorated with Kāla-and-Makara gable resembling to Javanese art. The Javanese influence have had an important role since My Son A1 period and still continued up to this period. The superstructure of the Prāsāda-typed niche is designed as four superimposing tiers beautifully ornamented with several miniature towers. The spear-liked tympanum is decorated in the front of the Prāsāda-typed niche.
ArchitectureThap Doi
Thap Doi is the example of Khmer-influenced temple in Cham art. The Khmer influence is noticeable from the insertion of stone into the brick wall and the decoration of several antefixes on the superstructure. These antefixes shape the contour of the superstructure as the curvilinear lotus-bud-liked spire, similar to Angkor Wat and Bayon art. The cornered Garuda is also typical to Khmer art indicating the Cambodian affiliation while Jayavarman VII seized the political role in Champa. This temple therefore is datable to late Binh Dinh art.
ArchitectureSuperstructure: Thap Doi
Thap Doi is the example of Khmer-influenced temple in Cham art. The Khmer influence is noticeable from the insertion of stone into the brick wall and the decoration of several antefixes on the superstructure. These antefixes shape the contour of the superstructure as the curvilinear lotus-bud-liked spire, similar to Angkor Wat and Bayon art. The cornered Garuda is also typical to Khmer art indicating the Cambodian affiliation while Jayavarman VII seized the political role in Champa. This temple therefore is datable to late Binh Dinh art.
ArchitectureCanh Tien
Canh Tien is the temple characterized by the five plain pilasters, typical to Binh Dinh art. However, the stone dressed the corner of the body indicates the Khmer affiliation. The superstructure is of Cham character, composing of the superimposing miniature tiers and the corner towers. The corner towers are however similar to Chinese pagona in design, comparable to the contemporaneous temple Thu Thien. The design of superstructure and the advent of Khmer influence testify that this temple belongs to the later phase of Binh Dinh art.
ArchitecturePo Nagar
Po Nagar tower is assigned to the transition period between the periods of My son A1 and Binh Dinh. Whereas the five-set fluted pilaster is the characteristic of My Son A1 period, the spear-liked pointed arch Is of the later Binh Dinh style.
ArchitectureLocation of Po Nagar
Po Nagar locates on the bank of the river, adjacent to the sea, which is the important landmark. As the goddess is associated with the sea as well as the flatness of the Yonī, this temple is chosen to be by the sea-river.
ArchitectureHoa Lai
There are four pilasters on each wall of the body denoting the early Cham art. The motif band in the middle of the pilaster is typical to Hoa Lai art while the miniature temples decorated at the base are identical to those in Indian and Pre-Angkorian Khmer art. The superstructure comprises the superimposing miniature tiers indicating the south Indian influence.
ArchitecturePediment at Hoa Lai
The arch of Hoa Lai is characterized by the harp-liked arch filled by the foliage motif, The double inner-and-outer volutes are visible at the gable while the animals motif which had been previously popular was now omitted. This is the indigenous characters of Hoa Lai style, different from the Indian-styled of the period of My Son E1.
