Artwork Search
Arts in Southeast Asia Database
ArchitectureScriptural Hall: Wat Peng
Scriptural hall at Wat Peng is the only genuine Lan Chang scriptural hall that survived that destruction of Vientiane in the reign of king Anuwong. It is a small cemeted-brick building in a rectangular plan. The base is a complex Laotian Bua Khao Prom. The chamber has a door and three highly decorated windows on the other three sides. This is the door of the chamber that has an arch at the top. Inside, there are swans facing in, which was influenced by Lanna art. The top of the Prasat and the keepers are similar to Lanna , too.
ArchitectureScriptural Hall: Wat Peng
Scriptural hall at Wat Peng is the only genuine Lan Chang scriptural hall that survived that destruction of Vientiane in the reign of king Anuwong. It is a small cemeted-brick building in a rectangular plan. The base is a complex Laotian Bua Khao Prom. The chamber has a door and three highly decorated windows on the other three sides. This is the picture of the window arch of the top part of the Prasat. The roof consists of a tier of large sloping roof and the lotus flower shaped base on top. The structure of the Prasat is similar to Lanna art. There are traces of stuccos divided into parts,which might have been the storytelling scences. Now, they all have been flaked off.
ArchitecturePitaka Thiek
Pitaka Thiek is the most ancient example of Phyathat in Burmese art. This square temple comprises the thickly walled body supporting the series of sloping roofs. The roofs are quite squat comparing to the elongate ones in Mandalay period. It is difficult to prove whether this temple belongs to the reign of Anawratha or not. However, the style of this temple reveals that this temple is dated to the early period of Pagan Art.
ArchitectureScriptural Hall: Wat Sisaket
Scripture hall at Wat Srisaket has a Mondop-type roof ( a multi-tiered roof with a small pediment). This is very similar to the scripture hall at Wat Pha Srisasadaram in Bangkok. However, the multi-tiered roof and the unglazed tiles are of Lan Chnag Style. Inside, there is a large golden Tripitaka cabinet.
