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ArchitectureCandi Kidal
This temple is architecturally typical to Eastern Javanese period. The temple is always small with one sanctum resting on triple bases. The central door is normally crowned by the huge ferocious Kala face. The Kala face now is very ferocious, with the fangs protruding out form the mouth, the horns, the hand raising in threating gesture. The body of the temple is normally decorated with the band in the center, unique to Eastern Javanese art. The superstructure composes of the series of bands punctuated by the row of 5 miniature temples.
ArchitectureCandi Jago
This temple comprises the lofty triple base ornamented with the band of the narratives. The significant narrative here is the story from Mahābhārata, starting from the episode of the gamble of Paṇḍava and Kaurava, the disrobe od Draupatī, the penance of Arjuna at Mount Indrakila and the episode of presenting Pāśupata missile by Śiva in the guise of the Hunter Kirāta. The superstructure of the tower, now lost, is possible to be the timber-and-tile or timber-and-thatch roof which is similar to the Balinese Meru type of superstructure.
ArchitectureCandi Singosari
The temple of Singosari is of an extraordinary arrangement. The central temple is the non-enterable solid one placed on the top of the high platform. At the platform there exist four enterable sanctum providing for Shiva (East), Agastaya (south), Ganesha (west) and Mahishasuramardani (north) This iconographic program is conceived by following the model from Candi Parambanan in Central Javanese Art. The style of the temple is of the common type of Eastern Javanese architecture. The temple composes of the square body punctuated by the false doors topped by Kala faces. The superstructure comprises the double bands alternated by the row of miniature temples.
ArchitectureCandi Jawi
The temple comprises the body with the small sanctum as being typlcal to the Eastern Javanese art. The body of the temple is decorated with the door, the ferocious Kāla face and the band in the middle of the wall, typical to the period. The superstructure, designed in the typical style, composes of the series of superimposing bands providing the steep contours. This kind of superstructure closely resembles to the Balinese superstructure called Meru. Each corner of the bands of the superstructure is decorated with triangular shaped endings in the form of animal, anticipating Balinese convention of architectural articulation.
