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The Big Phra That Chedi
Mae Hong Son
ArchitectureThe Big Phra That Chedi

This chedi is a bell shape chedi. It has two layer flat base and three layer lotus base that decorate with singha, norasingha, purnaghata(abundance pot) and stupika, the short bell in the circular plan, short cone shape, spire and tiered umbrella on top.

Min Gun
Mingun
ArchitectureMin Gun

Mingun Stupa comprises the solid colossal body meant for supporting the roof and the spire. Unfortunately the stupa had never been finished as the project was abandoned after the demise of the king, Only the lofty body still remains.

Model of Min Gun Stupa
Mingun
ArchitectureModel of Min Gun Stupa

Because the stupa was left unfinished, we have to study the conjectural complete form of Mingun Stupa from the model adjacent to the main stupa. This model suggests us that the complete form of the stupa would be superimposed by the Śikhara and stupa spire.

Shin Byu Me
Mingun
ArchitectureShin Byu Me

Shinbyume stupa was conceived as the cosmological model in accordance with Buddhism. The central Mouth Meru supporting Culāmani stupa is at the centre while there is the triple staircase in the front is connectible to the miraculous staircase of the descent from Tavatimsa Heaven. There are also the celestial abodes for the heavenly creatures, including deities and Nagas. Seven rings of mountain ranges enclosing Mount Meru are also explicitly depicted. This is the most complicate and complete model of the cosmos in Burmese art which is only popular during the later Amarapura-and-Mandalay period.

Pathodawgyi
Amarapura
ArchitecturePathodawgyi

The composition of Pathodawgyi is closely similar to Pagan art, especially the triple base decorating the Jātaka panels and the double torus moldings. In the middle of each base, there are staircases providing the access to the circumambulatory path on the top of each base. The bell-shaped element is decorated with Kāla faces disgorging the garland. These above-mentioned characters are under the inspiration of Pagan influences while the elongate banana-bud-liked pinnacle is different from the shorter one in Pagan art.

Kyauk Taw Gyi
Amarapura
ArchitectureKyauk Taw Gyi

Kyauktawgyi is the most beautiful Ananda copy in Amarapura period. The main spire is Shikhara as that of Ananda in Pagan. Furthermore, the architectural details of this temple are very similar to those of Pagan art, including the offset division of the main Shikhara, the four projecting porches and the pediments which are decorated with Makaras and the elongated leafs. However, some differences are also noticeable. Pagan architecture became the favourite prototype for Amarapura-and-Mandalay architects to copy, as the later-period architects considered Pagan architecture as the culmination of Burmese art.

Kuthodaw
Mandalay
ArchitectureKuthodaw

Kuthodaw premise composes of the main stupa modelled after Shwezigon and the subsidiary smaller temples enshrining the inscriptions of Buddhist canons. These temples have been arranged into three groups, namely Vinaya Sutta and Abhidhamma.

Mandalay Palace
Mandalay
ArchitectureMandalay Palace

Mandalay palace can be divided into three parts. Myenan Phyathat, the pointed spired pavilion, is the main throne hall for the main court assembly as well as for the important royal ceremonies. The second part is the private residential area for the monarch. The third part is the residential area of the queens and the concubines. These multi-tiered roofed pavilions are normally considered to be the pavilion for the high-rankings.