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Arts in Southeast Asia Database
PaintingHuge Buddha
The painting of large Buddha images to cover the whole wall appears to be preferences in the art of Kongbong dynasty of Pegan school of art. The spreading arms and the cloth extended to the abdomen are distinctive features of arts in after Pegan period.
PaintingBuddha Life : Sattamahasthana
The paintings here appear to be drawings on cremy background. The Lord Buddha wears two-layered cloth on his left shoulder: the short one and the long one. This is an important feature of Post-Pegan art period.
PaintingBuddha Life : Sattamahasthana
The paintings here appear to be drawings on cremy background. The Lord Buddha wears two-layered cloth on his left shoulder: the short one and the long one. This is an important feature of Post-Pegan art period.
PaintingPrevious Buddhas and Their Great Departures
Paintings in the early Kongbong are similar to those of Nyongyan. The distinctive feature is the use of hot-shading color with green color. There is no landscape. x The drawings are simple similar to drawing cartoons in the present time. Each picture is seperated by connected curves called “Sintao”. Empty space is filled with flora patterns. Sometimes pictures are drawn in long strips similar to pictures on ancient palm leave manuscripts. However, a high crown of Thai style shows that these paintings were painted after Ayutthaya was taken for the second time.
PaintingPrevious Buddhas and Their Great Departures
Paintings in the early Kongbong are similar to those of Nyongyan. The distinctive feature is the use of hot-shading color with green color. There is no landscape. x The drawings are simple similar to drawing cartoons in the present time. Each picture is seperated by connected curves called “Sintao”. Empty space is filled with flora patterns. Sometimes pictures are drawn in long strips similar to pictures on ancient palm leave manuscripts. However, a high crown of Thai style shows that these paintings were painted after Ayutthaya was taken for the second time.
