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Showing 33-40 of 77 items, 10 pages.
Canh Tien
Binh Dinh
ArchitectureCanh Tien

Canh Tien is the temple characterized by the five plain pilasters, typical to Binh Dinh art. However, the stone dressed the corner of the body indicates the Khmer affiliation. The superstructure is of Cham character, composing of the superimposing miniature tiers and the corner towers. The corner towers are however similar to Chinese pagona in design, comparable to the contemporaneous temple Thu Thien. The design of superstructure and the advent of Khmer influence testify that this temple belongs to the later phase of Binh Dinh art.

Po Nagar
Nha Trang
ArchitecturePo Nagar

Po Nagar tower is assigned to the transition period between the periods of My son A1 and Binh Dinh. Whereas the five-set fluted pilaster is the characteristic of My Son A1 period, the spear-liked pointed arch Is of the later Binh Dinh style.

Location of Po Nagar
Nha Trang
ArchitectureLocation of Po Nagar

Po Nagar locates on the bank of the river, adjacent to the sea, which is the important landmark. As the goddess is associated with the sea as well as the flatness of the Yonī, this temple is chosen to be by the sea-river.

Hoa Lai
Phan Rang
ArchitectureHoa Lai

There are four pilasters on each wall of the body denoting the early Cham art. The motif band in the middle of the pilaster is typical to Hoa Lai art while the miniature temples decorated at the base are identical to those in Indian and Pre-Angkorian Khmer art. The superstructure comprises the superimposing miniature tiers indicating the south Indian influence.

Pediment at Hoa Lai
Nha Trang
ArchitecturePediment at Hoa Lai

The arch of Hoa Lai is characterized by the harp-liked arch filled by the foliage motif, The double inner-and-outer volutes are visible at the gable while the animals motif which had been previously popular was now omitted. This is the indigenous characters of Hoa Lai style, different from the Indian-styled of the period of My Son E1.

Pilaster at Hoa Lai
Phan Rang
ArchitecturePilaster at Hoa Lai

Hoa Lai is assigned to the early phase of Cham architecture as there are merely four pilasters on each side of the body. The pilaster is decorated with the motif band, typical to Hoa Lai period. This kind of decoration is also similar to Indian art. The capital is strikingly ornamented with the statue of Garuḍa holding Nāga. The bird-faced Garuḍa with beak is important as it is different form the human-faced one in Indian art.

Northern Tower of Hoa Lai
Phan Rang
ArchitectureNorthern Tower of Hoa Lai

Despite being unfinished, the northern tower of Hoa Lai is so significant as it is one of the most complicate towers in Cham art. The striking feature is the decoration of several types of miniature tower at the bases of the pilasters. Each of this miniature tower is so complicate and exquisite with the architectural articulation. Considering form the style of these miniature towers, becasue these towers are connectible to the Indian and Pre-Angkorian art, the north tower of Hoa Lai is assignable to the early phase of Cham art.

Location of Po Kluang Karai
Phan Rang
ArchitectureLocation of Po Kluang Karai

The whole temple complex located on the top of the hill, including the main temple, the so-called library, the front hall and the gateway. The location of this temple reminds us the location of Banh It in Binh Dinh.