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Arts in Southeast Asia Database
Mural Painting Wat Thung Sri Meung
Keywords : Mural Paintings Depicting, Phra Ubosot, King Rama IV, Wat Thung Sri Meung, Phra Putthabhat hall, Lanchang Art, Laotian Art, King Rama III
Site common name | Wat Thung Sri Meung |
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Type of artwork | Painting |
Sub district | Nai Mueang |
District | Mueang Ubon Ratchathani |
Province | Ubon Ratchathani |
Region | Northeast |
Country | Thailand |
Geographic Coordinates Decimal degree | Lat : 15.229682 Long : 104.861055 |
Geographic Coordinates UTM | Zone : 48 P Hemisphere : N E : 485078.43 N : 1683734.85 |
Place of artwork | Inside Phra Putthabhat hall or the ordination hall |
History of production | No painting evidence is available, but it is assumed that it was painted during the reign of King Rama 4 because the hall itself was constructed in 1783, which was during the reign of King Rama 3. |
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Production process | Powder Color |
Conservation | Registered as archaeological site in the Government Gazette, Volume 98, Episode 104, 30 June 1981 |
Art | Mural paintings at this Phra Putthabhat hall were painted on the walls, the walls behind the doors and the columns. The paintings were painted in various stories including Vessanatara Jataka, Phra Malai and Buddha’s life. The walls behind the doors were painted with Pajittakumara Jataka, Julapata Jataka and Sin Chai. The columns were painted with Sin Chai stories, lotus bud and intertwined spray patterns. The painting techniques might have been influenced by the royal school of art in Bangkok. The techniques include patterns of the main characters, the palaces, and color status. However, there were also pictures of local folk life in the paintings. |
School | Rattanakosin |
Key academic information | An example of a beautiful and complete mural painting that demonstrates the expansion of Rattanakosin influence to the northeast. |
Notice | 1.Mural paintings at this temple were painted from various stories and in a non-chronological order. This is one of the features of mural paintings in the northeast, which is different from those in the central area where stories were often painted in chronological order. 2. Initially, some scholars categorized the paintings at Wat Thung Sri Meung as a combination of Lanchang and Bangkok influence. However, it is more likely to only be of Bangkok influence. |
Period | Historical Period |
Art period | Lanchang |
Age | 24th Buddhist century |
Religion | Buddhism |
Sect | Theravada |
Religion and belief | Theravada |
Related artwork | 1. Mural Painting at Wat Na Phra Dhat, Nakorn Ratchasrima. This is an example of mural painting in the northeast that was influenced by Rattanakosin art. 2. Mural painting at Wat Pa Lae Lai, Mahasarakham. This is an example of mural painting in the northeast that was influenced by Rattanakosin art. |
Type of License | Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) |
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Rights | Princess Maha Chakri Sirindhorn Anthropology Centre |
Date of record creation | 2016-08-17 |
Record creator | Rungroj Thamrungraeng |
Bibliography | ศักดิ์ชัย สายสิงห์. เจดีย์ พระพุทธรูป ฮูปแต้ม สิม ศิลปะลาวและอีสาน. กรุงเทพฯ: มิวเซียมเพรส, 2555. สุรชัย ศรีใส. จิตรกรรมฝาผนังหอพระพุทธบาท วัดทุ่งศรีเมือง. อุบลราชธานี: วิทยาการพิมพ์, 2555. ไพโรจน์ สโมสร. จิตรกรรมฝาผนังอีสาน. ขอนแก่น: ศูนย์วัฒนธรรมอีสาน มหาวิทยาลัยขอนแก่น, 2532. ชวลิต อธิปัตยกุล. ฮูปแต้มอีสาน : มุมมองทางด้านประวัติศาสตร์ศิลปะพื้นถิ่นบนแผ่นดินอีสาน. อุดรธานี: เต้า-โล้, 2555. |