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ArchitectureOctagonal temple: Sombor Preikuk
Some of Sombor Preikuk temples are of octagonal plan which is one of the most striking characteristics of Pre-Angkorian period. These octagonal temples are normally decorated with pilasters at each corner and the so-called flying bas-relief temple in each offset. The superstructure comprises series of sloping roofs punctuated by Kudu arches indicating the North Indian affiliation.
ArchitectureSombor Preikuk C1
Normally, most of Pre-Angkorian temples are of brick. The decoration is normally of brick carving. The temple is devoid of being redented. However, the temple is decorated by the series of pilasters at the corners as well as on the wall, typical to the period. Judging from the style of the lintels, because this temple is datable to the transition period between Prei-Kmeng and Kampong Preah, this temple is later than those of the Southern and Northern group. Interestingly, the front staircase and the pair of lions are of monolithic. As the lions are fixed as the guardians, this temple is call “Lion Prasada”
ArchitecturePrasat Damrei Krap
Hoa Lai style of Cham architecture is characterized by the pilasters which are normally arranged in the series of four and the band decoration in the center of these pilasters. These characters are similar to Hoa Lai style in Vietnam. The Garuda decorating the capital is also reminiscent of the same pattern at Hoa Lai. However, this temple is unfinished because the band at the center of the pilasters is devoid of any motifs.
ArchitectureMy Son Group B
My Son Group B is the example of the temple complex in Cham art. The temples inside the complex are normally arranged without the symmetry. Inside the complex there are the main tower, the subsidiary towers, rectangular temple, the gateway, the enclosure and the outside Mandapa.
ArchitectureMy Son B5
This temple is supposed to be one of the temples dedicated to Bhadreshvara, the most sacred Linga of Champa kingdom.
ArchitectureMy Son C1
My Son C1 is the main tower of My Son Group C and is the only main temple in Cham art which is of rectangular plan. The roof is of wagon-liked elongate roof. (called as Shala roof in South Indian terminology) As this temple is in rectangular plan, the longer side is punctuated by 7 pilasters (only 6 are visible as it is obscured by the central niche). The double-arched niche indicates the continuation from Dong Dzuong style but it is not elongated as that of Dong Dzoung. Insidethe niche there is the guarding holding club, the character of My Son style.
ArchitectureMy Son C1
My Son C1 is the main tower of the complex C and this tower is the only rectangular main tower with the wagon roof. (called as Śālā roof in South Indian term) The front hall or Maṇḍapa is also designed in the wagon-roof rectangular tower. The front hall is decorated with 5 pilasters and the door is decorated with the double-vase-liked column, typical to My Son A1 period.
ArchitectureDetails of upper mouldings: My Son C1
My Son C1 is the tower datable to My Son A1 period as the flute in the middle of the pilaster is continued up to the capital. The capital is complicated with the convex and concave mouldings, more complicated than the earlier-period ones. However, because the capital is lack of ornament, the temple seems to be unfinished.
