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Arts in Southeast Asia Database
King Jayavarman VII
Keywords : Prasat Phimai, Phimai National Museum, King Jayavarman VII
Site common name | Phimai National Museum |
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Type of artwork | Sculpture |
Sub district | Nai Mueang |
District | Phimai |
Province | Nakhon Ratchasima |
Region | Northeast |
Country | Thailand |
Geographic Coordinates Decimal degree | Lat : 15.224812 Long : 102.494452 |
Geographic Coordinates UTM | Zone : 47 P Hemisphere : N E : 230843.9 N : 1684737.63 |
Place of artwork | Inside the exhibition room Phimai National Museum |
History of production | There is no direct evidence related to the origin of this sculpture. However, it is believed that it was built during the reign of King Jayavarman VII or during the 18th century B.E to be the image of the king himself. Its style is comparable to the sculptures of King Jayavarman VII found in Cambodia and Laos. |
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Production process | Carved sandstone |
Conservation | Found in Prang Brahmathat, inside Prasat Phimai, Phimai, Nakhon Ratchasima |
Size | 1.42 meters |
Art | Both arms and the left knee of the sculpture of King Jayavarman VII are missing. The sculpture has a plump body, square face, closed eyes with the corners of the mouth lifted slightly; its long hair is put up in a bun shape. The upper part of the body is bare and the lower part is clothed in shorts. The sculpture is sitting in a cross-legged position. The arms are missing so it is unknown as to which gestures the sculpture is making. However, some suggested that it is positioned to pay salutation by putting the palm together; because if the arms are on the laps or in a meditating position, there will certainly be a handprint on the lap. |
Key academic information | It is believed that this is the sculpture of King Jayavarman VII. It was found at Prasat Hin Phimai, Phimai district, Nakhon Ratchasima province. It is the oldest and the most completed of the king found in Thailand. This sculpture of King Jayavarman VII reflects the era of his reign. |
Period | Historical Period |
Art period | Lopburi |
Age | 18th century B.E. |
Religion and belief | Local beliefs |
Legend | The villagers believed that this sculpture is of Brahmathat, the ruler of Phimai in a local literature, Pachit-Oraphim. |
Related artwork | The sculpture of King Jayavarman VII might be in resemblance of one of the idols. It might be related to one of the traditions of the ancient Khmer people that worshiped the status of the king and the royal family to become a Brahmin god such as Shiva, Vishnu and a Buddha or Bodhisattva in Buddhism. The sculpture of King Jayavarman VII might be worshiped because the king was regarded as an angel in a human body. This belief is to the raise the status of a person to be a god or Buddha. |
Type of License | Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) |
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Rights | Princess Maha Chakri Sirindhorn Anthropology Centre |
Date of record creation | 2016-09-30 |
Record creator | Rungroj Thamrungraeng |
Bibliography | สุภัทรดิศ ดิศกุล, หม่อมเจ้า. (เรียบเรียง) ประติมากรรมขอม. กรุงเทพฯ : กรุงสยามการพิมพ์, 2515. สุภัทรดิศ ดิศกุล, หม่อมเจ้า. ศิลปะสมัยลพบุรี. กรุงเทพฯ : มหาวิทาลัยศิลปากร, 2547. สุริยวุฒิ สุขสวัสดิ์, หม่อมราชวงศ์. “รูปพระเจ้าชัยวรมันที่ 7 จากเมืองซายฟองในสาธารณรัฐประชาธิปไตยประชาชนลาว” ศิลปวัฒนธรรม ปีที่ 9, ฉบับที่ 1 (พฤศจิกายน 2530), หน้า 60-70. |