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Arts in Southeast Asia Database
The Twin Miracles Sculpture
Keywords : Buddha image, Buddha image with dropping leg, The Twin Miracles Sculpture , Rock engraving, the twin miracles
Site common name | National Museum Phranakorn |
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Type of artwork | Sculpture |
Sub district | Phra Borom Maha Ratchawang |
District | Khet Phra Nakhon |
Province | Bangkok |
Region | Central |
Country | Thailand |
Geographic Coordinates Decimal degree | Lat : 13.7576 Long : 100.492222 |
Geographic Coordinates UTM | Zone : 47 P Hemisphere : N E : 661329.97 N : 1521418.09 |
Place of artwork | In Davravati Room |
History of production | The construction history remains unclear. However, the art characteristics suggest that it might have been built in Dvaravati period. |
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Production process | Rock Craving |
Art | This rock-craved sculpture depicts the twin miracles scene at Sawasti to fight the non-believers. The Lord Buddha sits on a throne with dropping leg and the right hand is in the giving sermon attitude. Both sides are surrounded with people. On each side, there is a horizontal line dividing people into two groups. This might mean that under the straight line is the earth and over the straight line is heaven. Therefore, the group of people under the line on the right of the Lord Buddha might be King Pasenthikosol and his followers, whereas people on the other side might be the defeated non-believers. The group of people above the line might be people on the heaven. On the right, it might be Indra and other gods, whereas on the left might be Brahman. On the branches of the tree, there are 7 Lord Buddha in different postures. |
Key academic information | This twin miracle sculpture is a piece of evidence that leads us to believe that a part of the majority of Dvaravati people believed in Theravada because, in the scene, the Lord Buddha performed the miracle under a mango tree. Besides, the scene also reflects the large tree worship tradition at the time. This can be seen from the fact that the tree was decorated with cloths and rings. |
Period | Historical Period |
Art period | Dvaravati |
Age | 12th -16th centuries BE. |
Religion | Buddhism |
Sect | Theravada |
Religion and belief | Theravada |
Related artwork | Votive tablets depicting the twin miracles, Dvaravati art |
Type of License | Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) |
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Rights | Princess Maha Chakri Sirindhorn Anthropology Centre |
Date of record creation | 2016-08-19 |
Record creator | Rungroj Thamrungraeng |
Bibliography | เกสรา จาติกวนิช, “พุทธประวัติในประติมากรรมทวารวดี” วิทยานิพนธ์ศิลปศาสตรมหาบัณฑิต สาขาประวัติศาสตร์ศิลปะ บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร, 2545. ผาสุข อินทราวุธ, ทวารวดี การศึกษาเชิงวิเคราะห์จากหลักฐานทางโบราณคดี. กรุงเทพฯ : อักษรสมัย, 2542. ศักดิ์ชัย สายสิงห์, ศิลปะทวารวดี วัฒนธรรมพุทธศาสนายุคแรกเริ่มในดินแดนไทย. กรุงเทพฯ : เมืองโบราณ, 2547. |