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Arts in Southeast Asia Database
 
 
 
 
 
 
 
Showing 9-16 of 33 items, 5 pages.
Kalpavrksha at Candi Pawon
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SculptureKalpavrksha at Candi Pawon

Adjacent to Bodobudur, Candi Pawon was constructed by Shailendra dynasty which followed Mahayana Buddhism.

Buddha acrossing Neranjara River
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SculptureBuddha acrossing Neranjara River

The style of the narrative at Bodobudur closely resembles to that in Indian art, considering from the style of ornaments, the style of utensils, the volume of the figures as well as the arrangement of space.

Victory of the Buddha over Mara
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SculptureVictory of the Buddha over Mara

Sculpture at Borobudur is very similar to Indian art in terms of the costumes, appliance, round characters and empty space. All of these show that central Java is related to Indian art.

The Consecration of the Buddha after his First Preaching
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SculptureThe Consecration of the Buddha after his First Preaching

Sculpture at Borobudur is very similar to Indian art in terms of the costumes, appliance, round characters and empty space. All of these show that central Java is related to Indian art.

Mahakapi Jataka
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SculptureMahakapi Jataka

The style of the narrative at Bodobudur closely resembles to that in Indian art, considering from the style of ornaments, the style of utensils, the volume of the figures as well as the arrangement of space.

Kacchapavadana
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SculptureKacchapavadana

Sculpture at Borobudur is very similar to Indian art in terms of the costumes, appliance, round characters and empty space. All of these show that central Java is related to Indian art.

Gandavyuha Sutra Narrative
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SculptureGandavyuha Sutra Narrative

Sculpture at Borobudur is very similar to Indian art in terms of the costumes, appliance, round characters and empty space. All of these show that central Java is related to Indian art.

Ramayana Narrative at Candi Prambanan
Klaten
SculptureRamayana Narrative at Candi Prambanan

Unlike Borobudur, the narrative at Candi Parambanan is characterized by the background filled with motif and vegetation. The devoid of space in Parambanan narrative is noticeable and this is precursor towards the same trend in Eastern Javanese art. The volume of each figure is however still shaped and the face of these figures is still front-facing which is still traceable to Indian art.