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Wat Ratbophit Sathitmahasimaram
Keywords : Phra Ubosot, Wat Ratbophit , Wat Ratbophit Sathitmahasimaram, Ubosot of Wat Ratbophit , Ubosot of Wat Ratbophit Sathitmahasimaram
Site common name | Wat Ratbophit Sathitmahasimaram |
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Site alternative name | Wat Ratbophit |
Type of artwork | Architecture |
Sub district | Wat Ratchabophit |
District | Khet Phra Nakhon |
Province | Bangkok |
Region | Central |
Country | Thailand |
Geographic Coordinates Decimal degree | Lat : 13.748971 Long : 100.497339 |
Geographic Coordinates UTM | Zone : 47 P Hemisphere : N E : 661888.44 N : 1520463.65 |
Place of artwork | In the temple’s public precincts. |
History of production | King Rama V had Wat Ratbophit built as his royal temple. The constuction was firstly supervised by Prince Pradit Worakarn, working in the Department of Fine Arts; but Prince Pradit Worakarn passed away before the construction was completed. Thus, Prince Sapphasatsuphakit was the next supervisor, but he then passed away too. The King hence commissioned Chao Praya Thammatikornatibodi.(M.R. Pum Malakul) to build the temple, and the construction was finally completed. |
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Production process | Masonry, wooden roof finials, gilding and glass mosaics |
Size | Width 17.70 m., length 21.65 m. |
Art | The Ubosot is in Thai traditional style. The masonry building has wooden roof with ceramics tiles. The wall is furnished with five-colored glazed porcelain tiles and deity motifs. The roof structure was built from wood and roofing with ceramics tile and decorated with Thai traditional ornament. The main pediment illustrates a seven headed elephant carrying a pedestal tray with a coronet flanked by tiered-umbrellas held by a lion and a Gajasimha (half elephant and lion). The second pediment depicts Narayana on Garuda Glided and stucco door and window pediments are in a traditional Thai roof form with decoration. The interior door panels are adorned with lacquer and glided lotus bud or Phum Khao Bin motifs; while the exterior of each door panel illustrates five different first class Royal Decorations, namely the Ancient and Auspicious Order of the Nine Gems, the Most Illustrious Order of the Royal House of Chakri, Knight Grand Cordon (Special Class) of the Most Illustrious Order of Chula Chom Klao, Knight Grand Cross (First Class) of the Most Exalted Order of the White Elephant, and Knight Grand Cross (First Class) of the Most Noble Order of the Crown of Thailand. The interior of the Ubosot was decorated in Neo-Gothic style of the western art, and the Ubosot also enshrines the principal Buddha Image named Phra Phuttha Angkhirot. The bell-shaped Chedi with round ground plan features a bell-shaped Gharbhaya supported by a multi-tiered flower garland moulding with a five-coloured-glazed porcelain decoration similar to that of the Ubosot’s interior wall. The Chedi is in a galleried-enclosure with a colored-glazed porcelain tiled roof. Round pillars supporting the gallery are made of marble and come with lotus capitals. The Vihāra is a traditional Thai building which is similar to the Ubosot but has some different features, that is, the Vihāra is smaller than the Ubosot. Its wooden window and door panels are not pearl-inlaid, but they are carved in Royal Decoration patterns, lacquered, gilded and painted. |
Key academic information | Wat Ratbophit was built to the royal order of King Rama V as a royal temple of the King. This temple drew inspiration from Wat Ratchapradit Sathitmahasimaram, the royal temple of King Rama IV. The significant monuments of this temple are Mahachedi surrounded by the gallery, Ubosot, Vihāra and axial Viharn. The ground plan of this temple shows strong influence from the architecture in the reign of King Rama IV. In addition, this temple is also the royal temple of King Rama VII. The characteritics of the Ubosot are also remarkable. It shows a good combination of Thai traditional art and western art, as well as the finest craftsmanship of decoration such as the exterior wall of the Ubosot adorned with five-coloured porcelain tiles in lotus motifs which might be designed by Pra Ajarn Daeng from Wat Hong Rattanaram. Moreover, the wooden door is decorated with pearl-inlay in the form of 5 different high-ranked Royal Decorations. This shows a new design of some modern auspicious items other than the traditional Buddhist decorative motifs. |
Period | Historical Period |
Art period | Rattanakosin |
Age | 25th Buddhist century |
Religion | Buddhism |
Sect | Theravada |
Religion and belief | Theravada |
Related artwork | Phra Buddha Ankiros. |
Type of License | Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) |
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Rights | Princess Maha Chakri Sirindhorn Anthropology Centre |
Date of record creation | 2016-08-01 |
Record creator | Patsaweesiri Premkulanan |
Bibliography | สุริยา รัตนกุล. พระอารามหลวงในกรุงเทพมหานคร. นครปฐม : มหาวิทยาลัยมหิดล, 2550-2552. ชัชพล ไชยพร บรรณาธิการ. ประมวลเอกสารจดหมายเหตุรัชกาลที่ 5 เรื่องวัดราชบพิธสถิตมหาสีมาราม. กรุงเทพฯ : วัดราชบพิธสถิตมหาสีมารามและสำนักงานพระพุทธศาสนาแห่งชาติ, 2553. ศุภชัย เสริมสุขเจริญชัย. “งานตกแต่งภายในพระอุโบสถวัดราชบพิธ สถิตมหาสีมาราม : การปรับเปลี่ยนสู่ศิลปะตะวันตกในสมัยรัชกาลที่ 5” (วิทยานิพนธ์ศิลปศาสตรมหาบัณฑิต (ประวัติศาสตร์ศิลปะ) บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร, 2555.) |