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Royal Emblems of the Thai Kings
Keywords : Wat Phra Sri Rattanasatsadaram, Wat Phra Kaew, Pavilion Housing the National Emblem of Thailand , Royal Emblems of the kings in the Rattanakosin Period
Artwork alternative name | Pavilion Housing the National Emblem of Thailand |
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Site common name | Wat Phra Si Rattana Satsadaram |
Site alternative name | Temple of the Emerald Buddha |
Type of artwork | Sculpture |
Sub district | Phra Borom Maha Ratchawang |
District | Khet Phra Nakhon |
Province | Bangkok |
Region | Central |
Country | Thailand |
Place of artwork | On the tiered supporting base. One is located in the north between Phra Mondop and Phra Siratana Chedi, 2 pavilions are situated in the south, and another pavilion is located in the northeast. |
History of production | King Rama V ordered to build some pavilions for housing the Royal Emblems of King Rama I-V as a mark of his piety in Buddhism. The King hence created his Royal Emblem and made offerings of the Royal Emblem to the Buddha in the Ubosot Wat Phra Si Rattana Satsadaram. The Royal Emblems of King Rama IV – IX were created in 1982 on the occasion of the bicentenary of Rattanakosin in the reign of King Rama IX. |
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Production process | Gilded metal decorated with glass, marble carving, bronze casting |
Conservation | The pavilions were conserved on the occasion of the bicentenary of Rattanakosin in 1982. |
Art | Each pavilion is made of gilded metal decorated with glass. The open pavilions have redented columns on each corner which support the pointed roof. Each column of the pavilions’ are adorned with Thepphanom motifs or Devatas performing the Añjali Mudrā hand gesture, while the multi-tiered pedestals decorated with rows of gilded Thepphanom figurines. The northern pavilion houses the Royal Emblems of King Rama I-III as follows: the Royal emblem of King Rama I is a tiered crown without ear decoration; the Royal emblem of King Rama II is Garuda seizing Nāga; and the Royal emblem of King Rama III is a celestial palace. One of the pavilion in the south houses the Royal Emblems of King Rama IV which is a tiered crown with ear decorations and the other one enshrines King Rama V’s Royal Emblem, namely Phra Kiao or a coronet. The pavilion in the northeast houses 4 Royal emblems as follows: the Royal Emblem of King Rama VI is a Vajira or thunderbolt; the Royal Emblem of King Rama VII is 3 arrows named Phrasaengson Phrommat, Phrasaengson Pralaiwat, and Phrasaengson Akhaniwat. Above the arrow rack, the Emblem of the Royal House of Chakri is located under the Great Crown of Victory; the Royal Emblem of King Rama VIII is a deity seated on a lotus throne in Lalitasana pose; and The Royal Emblem of King Rama IX is the Atthathit Uthumphonratcha-at Royal Throne with an Unalom symbol enclosed by a Chakra and its rays of light. Nophapadon Maha Saweta Chatra or the White Nine-tiered Umbrella is over the throne. These Royal Emblems are housed in the pavilions located on a marble base decorated with bronze elephant sculptures which represent the Royal white elephants and auspicious elephants of each king. |
School | Artisans |
Key academic information | Pavilions housing Royal Emblems of the previous 9 kings of the Rattanakosin Era in Wat Phra Si Rattana Satsadaram reveal symbols used by the kings of the Royal House of Chakri to signify the Royal Cypher of each King. The Royal Emblems can be used as Royal Seals to stamp on important State ducuments Using these symbols was initiated by King Mongkut who issued an announcment regarding uses of symbols instate of the king’s names, namely an Unalom symbol or a crown represents King Rama I’s name; Garuda seizing Nāga is substituted for the name of King Rama II; a palace is used instead of King Rama III’s name; and King Mongkut’s name is replaced by a tiered crown. The announcement used the emblems to avoid mentioning the kings’ names. The above-mentioned Royal Emblems indicate the concept of symbolizing the kings’ former names with some relevant symbols such as King Rama IV’s Royal Emblem is a tiered crown because his former name was Prince Mongkut (a crown). Such concept is still in use presently. Moreover, bronze elephant sculptures which are models of royal white elephants and auspicious elephants of each King are displayed in front of the pavilions |
Period | Historical Period |
Art period | Rattanakosin |
Age | 25th Buddhist century |
Religion and belief | Traditions in the Thai Royal Court |
Related artwork | Royal Coat of Arms of Siam, Royal Emblems of the kings in the Rattanakosin Period |
Type of License | Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) |
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Rights | Princess Maha Chakri Sirindhorn Anthropology Centre |
Date of record creation | 2016-07-01 |
Record creator | Patsaweesiri Premkulanan |
Bibliography | กรมศิลปากร. จดหมายเหตุการบูรณะปฏิสังขรณ์วัดพระศรีรัตนศาสดารามและพระบรมมหาราชวัง ในการฉลองพระนครครบ 200 ปี พุทธศักราช 2525 : ภาคที่ 1 วัดพระศรีรัตนศาสดาราม. กรุงเทพฯ : กรมศิลปากร, 2525. สุภัทรดิศ ดิศกุล, หม่อมเจ้า. ประวัติวัดพระศรีรัตนศาสดาราม. กรุงเทพฯ : สำนักพระราชวัง, 2534. |