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Phra Puttha Panya Akka
Keywords : Wat Bowon ฺฺฺBang Lam Phu, Wat Bowonniwet Vihara, Wat Bowon, Phra Puttha Panya Akka, The Buddha image of Somdet Pra Maha Samana Chao Krom Phraya Pavares Variyalongkorn
Artwork alternative name | The Buddha image of Somdet Pra Maha Samana Chao Krom Phraya Pavares Variyalongkorn |
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Site common name | Wat Bowonniwet Vihara |
Site alternative name | Wat Bowon |
Type of artwork | Sculpture |
Sub district | Bowon Niwet |
District | Khet Phra Nakhon |
Province | Bangkok |
Region | Central |
Country | Thailand |
Geographic Coordinates Decimal degree | Lat : 13.760163 Long : 100.499757 |
Geographic Coordinates UTM | Zone : 47 P Hemisphere : N E : 662143.91 N : 1521705.85 |
Place of artwork | Vihara Keng in Buddhavas area |
History of production | King Chulalongkorn gave orders to build in 2428 BE. |
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Art | The Buddha image is standing on the lotus lion-footed pedestal which there is the inscription of King Chulalongkorn’s royal initiative about building the Buddha image. The image is performing Pang Pratan Apai on both hands or it is called the attitude of stopping the rainstorm. Four fingertips are all even in length. The image wears the robe covering both shoulders but separated on the chest, the same style as the monks of Ramana Nikaya. The robe is wavy folded naturally worn over Sabong which also can be detected from the streak underneath. The wavy folded style of robes represents the realistic concept. The face looks young and calm like a real person. The ears are shrunken but other features of the Buddha are still the same such as the small tightly hair coils with the flame halo. It is decorated with perforated 5-tiered golden Chatra over the head. |
Key academic information | King Chulalongkorn (Rama V) gave orders to build the Buddha image of Somdet Pra Maha Samana Chao (the Supreme Patriarch) Krom Phraya Pavares Variyalongkorn (HRH Prince Rurk) as he was the second abbot after King Mongkut (Rama IV) once ordained and he was also the preceptor when King Chulalonkorn was ordained. The image was enshrined inside Vihara Keng (a small assembly hall with Chinese-style roof) of Wat Bowoniwet Vihara on the eastern wall and was given a name as Phra Phuttha Panya Akka according to the monastic name of the the Supreme Patriarch which was Panya Akko. Phra Phuttha Panya Akka was casted and enshrined at the same time with Phra Phuttha Vajirayana, the Buddha image of King Mongkut. It is the commemoration of the time when the king was once ordained and was the first abbot of the temple. Besides, it is the Buddha image in royal attire. It is noticeable that the royal tradition of casting the Buddha images of the kings and royal family during Rattanakosin period usually built the standing Buddha images in royal attire performing Pang Pratan Apai on both hands or it is called the attitude of stopping the rainstorm. The images are set on lotus lion-footed pedestals and there are Chatra (tiered-umbrella) above the heads according to the royal ranks. There are samples in Wat Phra Si Rattana Satsadaram and Grand Palace, including Phra Phuttha Vajirayana. However, Phra Puttha Panya Akka is the Buddha image of the royal family member who literally maintained the monkhood; therefore the image was not casted in royal attire, only yellow robes. It is also set on the lotus lion-footed pedestal and decorated with perforated 5-tiered golden Chatra over the head according to the Supreme Patriarch rank. Phra Puttha Panya Akka was built based on realistic concept; hence it is different from the other traditional Buddha image, for examples, it wears the robe covering both shoulders but separated on the chest, which is the style of the monks in Dhammayuttika Nikaya in the early period following the style of the monks in Ramanna Nikaya. The ears are shrunken to make it more like a real human. |
Period | Historical Period |
Art period | Rattanakosin |
Age | 25th Buddhist century |
Religion | Buddhism |
Sect | Theravada |
Religion and belief | Theravada Buddhism |
Type of License | Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) |
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Rights | Princess Maha Chakri Sirindhorn Anthropology Centre |
Date of record creation | 2016-09-15 |
Record creator | Patsaweesiri Premkulanan |
Bibliography | ศานติ ภักดีคำ. พุทธาวาสวัดบวรนิเวศวิหาร. กรุงเทพฯ: วัดบวรนิเวศวิหาร, 2556. ศิลปกรรมวัดบวรนิเวศวิหาร. กรุงเทพฯ: วัดบวรนิเวศวิหาร, 2556. |